CARTHA

   

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  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
  • About
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    Barranca

    Erica Overmeer

    Erica Overmeer atudied at the Gerrit Rietveld Academy in Amsterdam. Worked at Herzog & de Meuron in Basel and at Walter Keller / Scal Verlag in Zürich. Since the 90’s she has been devoting herself to her own photographic projects. In 2012 her work was featured at the German pavilion at the Venice Biennale. In […]

    Erica Overmeer atudied at the Gerrit Rietveld Academy in Amsterdam. Worked at Herzog & de Meuron in Basel and at Walter Keller / Scal Verlag in Zürich. Since the 90’s she has been devoting herself to her own photographic projects. In 2012 her work was featured at the German pavilion at the Venice Biennale. In 2016 she co-founded Index Architecture, an international research platform on print publishing in architecture.

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    Visual Essay
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